This all-time ballet favourite, in which young Clara is swept into a fantasy adventure when one of her Christmas presents comes to life, is at its most enchanting in Peter Wright's glorious production - as fresh as ever in its 25th year. Tchaikovsky's ravishing score, period designs by Julia Trevelyan Oman (including an ingenious magical Christmas tree), an exquisite Sugar Plum Fairy (Miyako Yoshida) and chivalrous Prince (Steven McRae), the mysterious Drosselmeyer (Gary Avis) and vibrant dancing by The Royal Ballet make for a captivating performance.
Broken China is a progressive rock solo album by Pink Floyd keyboard player Richard Wright. It was his second and final solo album. The album is a four-part concept album based on Wright's then-wife Mildred's battle with depression, and is very much like a classic Pink Floyd concept album in its structure and overall feel. Two songs, "Reaching for the Rail" and "Breakthrough" feature Sinéad O'Connor on lead vocals, with Wright singing elsewhere. The album was recorded in Wright's personal studio in France. Broken China was only Wright's second solo record after 1978's Wet Dream and the last to be released before his death in September 2008. Wright asked fellow Pink Floyd bandmate David Gilmour to perform on the album, and Gilmour agreed to play on "Breakthrough." However, the approach for the song was changed later on, and Gilmour's performance was not used on the finished release.
Charles Wright & the Watts 103rd Street Rhythm Band is a pioneering American soul and funk band. Formed in the early 1960s, they had the most visibility from 1967 to 1973 when the band had 9 singles reach Billboard's pop and/or rhythm and blues charts, such as "Do Your Thing" (#11 Pop, #12 R&B), "Till You Get Enough" (#12 R&B, #67 Pop), and "Love Land" (R&B #23, Pop #16). They are best known for their biggest hit on Warner Bros. Records, 1970's "Express Yourself" (#3 R&B, #12 Pop), a song that has been sampled by rap group N.W.A and others…
Rhino's Very Best of Betty Wright collects some of the soul diva's definitive tracks, including her first Top 40 hit "Girls Can't Do What the Guys Do," her 1971 Top 10 hit "Clean Up Woman," "Let Me Your Lovemaker," her 1974 Grammy winner "Where Is the Love," and "I'm Gettin' Tired Baby." Though it's not as extensive as the label's earlier compilation The Best of Betty Wright, this album does present most of her major singles as well as a few representative album tracks.
A few years after the release of her fourth album with Verve, a gospel-themed set of reinterpretations titled Fellowship, Lizz Wright signed to the Concord label with an eye toward concentrating on original material. The vocalist made a connection with veteran multi-instrumentalist and producer Larry Klein and recorded Freedom & Surrender with a stable backing band that included drummer Vinnie Colaiuta, percussionist Pete Korpela, bassist Dan Lutz, guitarist Dean Parks, and keyboardists Pete Kuzma and Billy Childs. For most listeners, the change of label and mostly new set of supporting musicians will seem transparent. Like Wright's previous albums, Freedom & Surrender is graceful and exacting, yet those qualities come across in a fashion that does not seem deliberate – remarkable for material that draws from folk, blues, jazz, soul, and gospel and often fuses two or more of those genres. Longtime collaborator Toshi Reagon contributes only two songs, "Freedom" and "Surrender," but they neatly begin and end the album in spirited and assured form. David Batteau and Jesse Harris separately collaborated with Wright and sometimes Klein on the writing of seven selections.