Illusion

It’s been seven years since Sarah McLachlan released Afterglow, her last album of original material. That’s a lifetime in the pop world, perhaps, but McLachlan handles her absence well, filling Laws of Illusion with the same sort of adult contemporary fare that made her a star in the first place. The market has changed since McLachlan’s late-‘90s heyday; pop starlets like Lady Gaga and Taylor Swift are now among the industry’s most highly prized female songwriters, making McLachlan seem a bit staid and outdated by comparison. With the 2010 revival of Lilith Fair, though, she has somewhat reconstructed the world as it existed a decade ago, and Laws of Illusion furthers the fantasy by taking its cues from Clinton-era folk-pop…

Excellent addition to any prog-rock music collection.
Think of Illusion, think of Renaissance. The history of the two bands is very much intertwined, and while the band bearing the name Renaissance came out on top in terms of success and longevity, the quality of Illusion's output should not be underestimated.

Other than being their first platinum-selling album, The Grand Illusion led Styx steadfastly into the domain of AOR rock. Built on the strengths of "Come Sail Away"'s ballad-to-rock metamorphosis, which gained them their second Top Ten hit, and on the high harmonies of newcomer Tommy Shaw throughout "Fooling Yourself," The Grand Illusion introduced Styx to the gates of commercial stardom…

The practice of performing albums in their entirety gives both artists and their fans the chance to hear the hits and underappreciated deep cuts as well. However, in many cases, most of a classic album is in the set anyway. Styx's 2012 three-disc (two CDs and one DVD) release The Grand Illusion/Pieces of Eight Live is a fine example of giving casual fans and diehards the best of both worlds, and there's certainly an audience for this, since both 1977's The Grand Illusion and 1978's Pieces of Eight went triple-platinum in the United States…