This release will have fans of Eric Dolphy salivating as it includes some long-lost work that jazz scholars didn't know existed at all. When the premiere reissue producer Michael Cuscuna researched all known Pacific Jazz tapes attributed to Chico Hamilton, all he came across were three edited numbers from this session, two of which had appeared on a compilation and another only on a DJ sampler. But this release is due to the luck of a Canadian resident who was digging through a used record bin in his hometown of Brighton, England, where he found a copy of The Ellington Suite with the personnel listed from a later session and a near mint blank test pressing of what turned out to be the long lost Chico Hamilton original version with Dolphy.
Digitally re-mastered two CD collection containing the complete recordings by the Eric Dolphy Quintet with Booker Little made live at the Five Spot Café in 1961. This material originally appeared on three separate LPs (Eric Dolphy at the Five Spot Vols. 1 & 2 and Memorial Album) It has become legendary, not only for it's high musical quality, but also due to the fact that both talented horn men died at a tender age soon after. Booker Little passed away on October 5, 1961, at the age of 23, and Dolphy on June 29, 1964, at the age of 36.
Resonance Records is proud to announce the first official previously-unissued studio recordings of Eric Dolphy in over 30 years, including 85-minutes of never before released material. Musical Prophet: The Expanded 1963 New York Studio Sessions is being released in partnership with the Eric Dolphy Trust and the Alan Douglas Estate with remastered high-resolution monoaural audio transferred directly from the original tapes.
Allegedly Eric Dolphy's final recorded performance – a fact historians roundly dispute – this session in Hilversum, Holland, teams the masterful bass clarinetist, flutist, and alto saxophonist with a Dutch trio of performers who understand the ways in which their hero and leader modified music in such a unique, passionate, and purposeful way far from convention. In pianist Misha Mengelberg, bassist Jacques Schols, and drummer Han Bennink, Dolphy was firmly entwined with a group who understood his off-kilter, pretzel logic concept in shaping melodies and harmonies that were prime extensions of Thelonious Monk, Ornette Coleman, and Cecil Taylor. These three Dolphy originals, one from Monk, one from Mengelberg, and a standard are played so convincingly and with the utmost courage that they created a final stand in the development of how the woodwindist conceived of jazz like no one else before, during, or after his life.
Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Includes an alternate take of "Hat and Beard" and a track for the first time in the world. Out to Lunch stands as Eric Dolphy's magnum opus, an absolute pinnacle of avant-garde jazz in any form or era. Its rhythmic complexity was perhaps unrivaled since Dave Brubeck's Time Out, and its five Dolphy originals – the jarring Monk tribute "Hat and Beard," the aptly titled "Something Sweet, Something Tender," the weirdly jaunty flute showcase "Gazzelloni," the militaristic title track, the drunken lurch of "Straight Up and Down" – were a perfect balance of structured frameworks, carefully calibrated timbres, and generous individual freedom.
In 1963 (probably July, though some sources place the dates in May or June), Eric Dolphy recorded some sessions in New York with producer Alan Douglas, the fruits of which were issued on small labels as the LPs Conversations and Iron Man. They've been reissued a number of times on various labels, occasionally compiled together, but never with quite the treatment they deserve (which is perhaps why they're not as celebrated as they should be). In whatever form, though, it's classic, essential Dolphy that stands as some of his finest work past Out to Lunch.
This two-LP set features the great multi-instrumentalist Eric Dolphy mostly stretching out on standards, coming up with very original statements on such songs as "Hot House," "When Lights Are Low," "Hi Fly," "I'll Remember April" and "God Bless the Child" (the latter taken as an unaccompanied bass clarinet solo), in addition to two brief originals. With trumpeter Benny Bailey helping out on half of the selections along with a strong rhythm section, the two-fer would be a perfect introduction for listeners not familiar with Eric Dolphy's innovative style, but this set is very difficult to find.
A quarter of a century after his death at 36, the astonishing saxophonist and flutist Eric Dolphy is still influencing and inspiring the most adventuresome jazz musicians. Dolphy was daring and iconoclastic while fully immersed in the jazz tradition. His musicianship was so thorough that innovators like Charles Mingus and John Coltrane held him in awe. In a dream partnership, Dolphy and trumpeter Booker Little made a handful of recordings in 1960 and '61, shortly before Little's own premature death. The first of them are in this album. Included is the rare "Serene," never before issued with the session's other material.