Since 2001, beginning with Juditha Triumphans, eight operas by Vivaldi have been released in the Vivaldi Edition, each one an event, either the first complete recording (or the first recording!) by first-rate conductors, soloists and orchestras specializing in Baroque. Acclaimed by the press (numerous awards), and by the public (more than 150,000 copies sold since 2001), these recordings have succeeded at last in rehabilitating Antonio Vivaldi, known always for his brilliant concertos, as one of the greatest operatic composers of all time.
With this new recording, the madly epic and romantic opera, Il Giustino, finally receives its place in the spotlight, something that the history of music has denied it up until now. The fifty-eighth recording and eighteenth opera in the Vivaldi Edition, which began in 2000, solidifies the status of Vivaldi as the greatest of opera composers - and of composers full stop. It needed the talent, charisma and poetic energy of a great conductor to bring back to life this gem, and it is Ottavio Dantone who assumes this mantle. With an Accademia Bizantina even more virtuosic and passionate than ever, a cast of high-flying soloists (Emöke Baräth, Delphine Galou, Veronica Cangemi, Emiliano Gonzalez Toro, Silke Gaeng…) and instruments as rare as they are precious (such as the dreamlike psaltery that accompanies the breathtaking air by Anastasio), Maestro Dantone brilliantly reincarnates, through this legendary Giustino, the human passions of yesterday and today.
This is the 51st title in the Vivaldi Edition and the 6th volume, out of approximately 12, of the series dedicated to the violin concertos whose manuscripts are held in the National Library of Turin. Following two successful volumes of concertos for solo violin and orchestra recorded separately in the Vivaldi Edition, virtuosos Riccardo Minasi and Dmitry Sinkovsky now join forces to record pyrotechnic concertos for two violins and orchestra.
This is the 49th title in the Vivaldi Edition and the 5th volume, out of approximately 12, of the series dedicated to the violin concertos whose manuscripts are held in the National Library of Turin. All the concertos selected here are linked to German violinist Johann Georg Pisendel, member of the Dresden orchestra, who spent time in Venice in 1716-17, with the Electoral Prince of Saxony Friedrich August. Vivaldi and Pisendel became very close friends and the Red Priest composed several works for Pisendel.
This recording is part of the Naïve label's Vivaldi Edition, a complete recording, scheduled to run to 100 discs, of a trove of Vivaldi manuscripts unearthed at the library of the National University of Turin. The recordings have been divided up among various mostly young Italian Baroque interpreters, with a pleasing variety of approaches.
Naive’s Vivaldi Edition is proud to present the 15th opera, and the 50th release, in the acclaimed series. Conducted by one of the masters of baroque opera, Alan Curtis, and gathering an impressive, vocal cast from the top echelons of Baroque singing 'Catone in Utica' is one of the Venetian master’s great, late operas. Composed four years before his death and premiered at Verona in the spring of 1737, 'Catone' inaugurated Vivaldi's third and last opera season. The Red Priest's farewell to the Teatro dell’Accademia Filarmonica was to resemble the crowning piece of a fire-works display.
Antonio Vivaldi was one of the most successful composers of the Baroque era, best known for his iconic set concertos for violin, The Four Seasons. L’Estro Armonico Op.3 is among the most important printed editions of Vivaldi’s concertos; the works immediately met with great acclaim after their publication in 1711, giving way to over 30 reprints in the subsequent 32 years.