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Scarlatti

Aline Zylberajch - Domenico Scarlatti: Sonates (2005)  Music

Posted by Designol at Dec. 20, 2018
Aline Zylberajch - Domenico Scarlatti: Sonates (2005)

Aline Zylberajch - Domenico Scarlatti: Sonates (2005)
EAC | FLAC | Image (Cue&Log) ~ 239 Mb | Mp3 (CBR320) ~ 163 Mb | Scans included
Genre: Classical | Label: Ambronay | # AMY002 | Time: 01:05:13

Reflecting the exceptional sound-world of Ambronay Abbey, Ambronay's CDs initiate musical experiences opening up a world of imagination and emotions. 'A new invention for Maria Barbara? The Queen of Spain and Portugal ordered from Bratolomeo Cristofori, creator of the pianoforte, five of his percious instruments for her music master, Domenico Scarlatti. Denzil Wraight, pre-eminent specialist of early Italian keyboards, has built the magnificent 56-note single-manual Cristofori-Ferrini instrument used on this recording - from which Aline Zylberajch unfolds a wealth of colours and shades hitherto unknown. An aesthetic, emotional revelation.
Ivo Pogorelich - Johann Sebastian Bach: English Suites 2 & 3; Domenico Scarlatti: 4 Sonatas (1996)

Ivo Pogorelich - J.S. Bach: Englische Suiten 2 & 3; D. Scarlatti: 4 Sonaten (1996)
EAC | FLAC | Image (Cue&Log) ~ 285 Mb (incl 5%) | Mp3 (CBR320) ~ 188 Mb (incl 5%) | Scans included
Genre: Classical | Label: Deutsche Grammophon | # 445 573-2 | Time: 01:15:31

While Ivo Pogorelich established his reputation performing mainly Romantic repertoire, his few forays into the Baroque reveal him to be an equally engaging- if not eccentric musician here as well. In quicker movements, such as the opening Preludes of the English Suites for instance Pogorelich's rhythmic control and contrapuntal clarity are simply amazing. Slower movements likewise are handled with remarkable intensity and delicacy. Pogorelich's performances of four Scarlatti sonatas concluding the program as well are wonderfully animated and knowing.
Yevgeny Sudbin - Domenico Scarlatti: 18 Keyboard Sonatas (2015) [Re-Up]

Yevgeny Sudbin - Domenico Scarlatti: 18 Keyboard Sonatas (2015)
EAC | FLAC | Image (Cue&Log) ~ 246 Mb | Artwork included
Genre: Classical | Label: BIS | # BIS-SACD-2138 | Time: 01:14:30

GRAMOPHONE Magazine: Disc of the Month - April 2016. With the 2005 release of his first recording for BIS Records, Yevgeny Sudbin catapulted into the pages of the international music press. The disc was a Scarlatti recital that prompted reviewers worldwide to compare the then 24-year old pianist in the most flattering terms to Scarlatti experts such as Horowitz and Pletnev. It went on to receive a long list of distinctions, including an Editor's Choice in Gramophone, where the accompanying review described it as 'among the finest, certainly most enjoyable of all Scarlatti recitals'. Since then, Sudbin and BIS have enjoyed a highly successful collaboration, resulting in numerous acclaimed recordings of both solo programmes and concertos. To celebrate the past 10 years, a new Scarlatti recording seemed the obvious choice for an anniversary present - to ourselves, and of course to all Sudbin fans and Scarlatti lovers. Said and done: Sudbin met up with Marion Schwebel, the recording producer with whom he has collaborated from the very beginning, for recording sessions in the silken acoustics of St George's in Bristol.
Dejan Lazic – Liaisons Vol.1: Scarlatti, Bartok (2007) [SACD ISO+HiRes FLAC]

Dejan Lazic – Liaisons Vol.1: Scarlatti, Bartok (2007)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 5.0 >1-bit/2.8224 MHz | Digital Booklet | 3.84GB + 5% Recovery
FLAC tracks 2.0 24bit/88.2 kHz | Digital Booklet | 1.13MB + 5% Recovery

At 1st sight, they appear to have nothing in common – but disregarding the stylistic elements & a difference of 2 centuries, you soon recognize that both are in a sense, musical architects, who as piano virtuosos were equally interested in miniature forms & inspired by folk music. On the 1 hand you have Scarlatti, who, after moving to Spain in 1729 composed almost exclusively for harpsichord & integrated elements of Spanish folklore into his compositions in an experimental way; on the other hand Bartk, who boosted the recognition of the rich native Hungarian peasant songs to an independent folk art, & was also influenced by Arabic folk music.
Rinaldo Alessandrini, Fabio Biondi - Pergolesi, A.Scarlatti, Leo: Stabat Mater, Salve Regina, Messa di S. Emidio (2010)

Rinaldo Alessandrini, Fabio Biondi - Pergolesi: Stabat Mater, Salve Regina, Messa di S. Emidio; A.Scarlatti: Stabat Mater, Messa per il Santissimo Natale; Leo: Salve Regina (2010)
EAC | FLAC | Image (Cue & Log) ~ 884 Mb | Total time: 79:39+58:39+58:00 | Scans included
Classical | Label: Naïve | # OP 30507 | Recorded: 1995, 1998, 2008

The legendary Italian composer Giovanni Battista Pergolesi was born 300 years ago, in 1710. To mark the anniversary, Naïve re-issues three renowned recordings to feature his choral music, in a specially-priced box set, headed by the Gramophone award-winning version of his Stabat Mater by Rinaldo Alessandrini and Concerto Italiano, considered one of the best ever recorded…
Also featured in the bargain “3 for the price of 1” set are other short pieces by Pergolesi, plus more by Alessandro Scarlatti and Leonardo Leo.
Odhecaton, Paolo Da Col - Scarlatti: Missa Defuntorum; Magnificat; Miserere; Salve Regina (2016)

Odhecaton, Paolo Da Col - Scarlatti: Missa Defuntorum; Magnificat; Miserere; Salve Regina
XLD Rip | FLAC (tracks)+cue, log, d.booklet | 76:23 min | 334 MB
Label: Arcana - A 398 | Tracks: 19 | Rls.date: 2016
Classical, Choral

This recording is a discovery of Alessandro Scarlattis heretofore unknown sacred music, where Renaissance tradition meets Baroque sensibility for a unique and compelling recording. At the core of Odhecatons latest offering is the Missa defunctorum for four voices and basso continuo. It is in this magnificent score recorded for the first time using the critical edition of Luca Della Libera that primarily contrapuntal writing gives way to Scarlattis stylistic choices of great expressivity and rhetorical force, such as in the case of the astonishing Lacrimosa.

Fou Ts'ong - Domenico Scarlatti: Piano Sonatas (1992)  Music

Posted by tirexiss at Aug. 9, 2018
Fou Ts'ong - Domenico Scarlatti: Piano Sonatas (1992)

Fou Ts'ong - Domenico Scarlatti: Piano Sonatas (1992)
EAC | FLAC (image+.cue, log) | Covers Included | 01:13:10 | 318 MB
Genre: Classical | Label: Collins Classics | Catalog: 30162

Domenico Scarlatti is a great composer disguised as a mediocre one. Part of the disguise is that he’s a formulaic miniaturist. It’s easy to dismiss his sonatas with the airy notion that if you’ve heard a few of them, you’ve heard them all. So pianists usually dispatch them as twee appetizers, played with a wink and a smirk, setting the table for meatier fare. But such dismissal dissolves under the sheer inventiveness of the sonatas. Like the protagonist in Ilse Aichinger’s “The Bound Man,” Scarlatti finds endless possibilities within his self-imposed confines.

Angela Hewitt - Domenico Scarlatti: Sonatas (2016)  Music

Posted by Designol at March 5, 2017
Angela Hewitt - Domenico Scarlatti: Sonatas (2016)

Angela Hewitt - Domenico Scarlatti: Sonatas (2016)
EAC | FLAC | Image (Cue&Log) ~ 249 Mb | Scans included | 01:16:09
Genre: Classical | Label: Hyperion | # CDA 67613

As one of the world's foremost interpreters of Baroque keyboard music on the modern piano, Angela Hewitt has established a fine reputation for impeccable playing and fresh musical insights. Listeners who cherish her award-winning recordings on Hyperion of the music of Johann Sebastian Bach have already experienced her exquisite playing, and they will be delighted to hear this selection of sonatas by Domenico Scarlatti, Bach's contemporary and an innovator whose compositions influenced the development of the Classical sonata. Some of these selections are well known, particularly the Sonata in C major, Kk159, the Sonata in D major, Kk96, and the Sonata in E major, Kk380, which are often anthologized, though Hewitt hasn't packed this disc with greatest hits (with 555 sonatas to choose from, there are many less familiar that deserve attention). Hewitt's performances are thoughtfully phrased, polished in tone, and rhythmically precise with a modicum of rubato, and she is alert to the subtleties that make this music so beguiling. Hewitt recorded these 16 sonatas in the Beethovensaal in Hannover, where she made her first Bach recordings for Hyperion 20 years previously, and the acoustics are nearly ideal for her style.
Currende, Erik Van Nevel - Domenico Scarlatti: Stabat Mater; Joao Rodriguez Esteves: Missa A Oito Voces (1990/2007) [Re-Up]

Domenico Scarlatti: Stabat Mater; João Rodriguez Esteves: Missa A Oito Voces (1990)
Vocal And Instrumental Ensemble 'Currende'; Erik Van Nevel, direction

EAC | FLAC | Tracks (Cue&Log) ~ 210 Mb | Mp3 (CBR320) ~ 134 Mb | Scans included
Genre: Classical, Choral, Sacred | Label: ACC Accent | # 10069 | Time: 00:47:10

As the old saying goes, "the third time's the charm." This is indeed the third time the German label Accent has issued this coupling of Domenico Scarlatti's Stabat Mater with João Rodrigues Esteves' Missa a oito voces. The first time was in 1990, when the recording by Currende under the leadership of Erik van Nevel was new, and the second in 1998 as part of a box set containing this and several recordings by Concerto Palatino. No complaints here, though, as this is one of the finest discs Accent has to offer.
Ralph Kirkpatrick - Scarlatti: Sonatas for Harpsichord (2004) (REPOST)

Ralph Kirkpatrick - Scarlatti: Sonatas for Harpsichord (2004)
XLD Rip | FLAC (tracks+.cue, log) | Covers | 360 mb | MP3 CBR 320kbps | RAR | 139 mb
Classical | Label: Archiv Produktion - 00289 477 5003

Since the very dawn of the compact disc era, Ralph Kirkpatrick's seminal recordings of Domenico Scarlatti have mainly been conspicuous only by their absence from the active catalog. It's hard be sure just why, as all along listeners and reviewers alike have been requesting their return. Kirkpatrick's Bach has been reissued here and there, along with some oddities, including a live, all twentieth century recital Kirkpatrick performed in 1961, released on Music and Arts. But of the Scarlatti, nothing - how could the man who put the "K." in Scarlatti go neglected; were not his performances once considered the acme in Scarlatti played on the harpsichord?