The large-scale sacred music of the French court remains among the most neglected repertories of the Baroque era. Here's an excellent place to start with it. The Te Deum, the quintessential Catholic hymn of praise, was a favored text for big moments at court, and the two examples here must be among the finest. Jean-Baptiste Lully's Te Deum, LWV 55, during whose premiere the composer fatally stabbed himself in the foot with a staff, was composed to celebrate the Sun King's recovery, via a pretty ghastly surgery, from what appears to have been a severe case of hemorrhoids. The more cheerful occasion of Charpentier's setting was a French military victory in the Low Countries. In both cases you get full-scale splendor, with chorus, brass, and orchestra in harmonically static settings.
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Composer Steve Jablonsky's second stab at setting music to images of military and science fiction carnage echoes the bold, overtly serious tone of its predecessor and remains the one bright spot in the notoriously one-dimensional Transformers series. Like his boss Hans Zimmer, whose studio Remote Control Productions he has spent considerable time in honing his skills, Jablonsky is a highly skilled sculptor of musical bravado. His deft blending of the orchestral and the electronic (as well as the punishingly percussive) yields fruit that is size appropriate to the film's giant alien robots/waste management vehicles.
Acupuncture treatment is treasure house of traditional Chinese medicine in a brilliant display of Pearl, is the common treasure of all mankind. Acupuncture in this series on the origin, history of acupuncture treatment from the home and acupuncture, and the development of modern acupuncture. Shanghai University of Traditional Chinese Medicine Part of the production, the Executive Editor Li Ding, Lu Po-kan