Enjoy an evening of swing music and dancing at the Black Cotton Club, London’s original speakeasy night. Hosted by legendary DJ duo Lady Kamikaze and El Nino, expect plenty of rare records and gangster sounds from the Twenties to the Forties, sets by guest DJs and live acts – there will be plenty of rare sounds and vintage mischief to celebrate. Don’t forget to don your best vintage from the Twenties to the late Fifties. 2009 two CD collection that brings together remastered and rediscovered gems from rare and original 78's with the best contemporary music influenced by 30's Jazz age sounds….
Maryann Cotton is a Danish / American shock rock singer, songwriter, and musician / hard rock band formed in 2007. He is considered by fans and peers alike to be “The Prince Of Shock Rock” and with energetic live performances he has made plenty of positive publicity around the world. Maryann Cotton – named after a famous serial killer – recorded in 2012 his debut album “Free Falling Angels”, which was featured and recorded by the original King Diamond band from 1989 / 1990, the album sold more than 20,000 copies in Europe – and managed to get on the U.S. Top 20 list as #8 in the New York Magazine Herald & Review…
Muddy Waters had his second coming 30 years ago, when longtime friend and disciple Johnny Winter and his Blue Sky label returned him–after a series of listless recordings aimed at the rock audience–to the raw, powerful authenticity of his timeless Chess material with a series of powerful albums. Beginning with 1977's acclaimed Hard Again, a subsequent tour produced Muddy "Mississippi" Waters Live, recorded onstage in Detroit, New York, and Philadelphia with Muddy's band, Winter, and harmonica player/vocalist James Cotton. Enough live material remained for Legacy to release an expanded version with an entire second disc of unissued concert material. It seems even that wasn't the end. This collection returns again to those remarkable concerts, featuring Muddy on five tracks, among them a rousing "I Can't Be Satisfied," "Trouble No More," "Caldonia," and the closing "Got My Mojo Workin'." Winter and Cotton are no less powerful, Cotton redoing Jackie Brenston's hit "Rocket '88'" and Winter ripping up John Lee Hooker's "I Done Got Over It" and "Mama Talk to Your Daughter."
While director Francis Coppola's potboiling crime drama set against the gloriously tumultuous backdrop of Harlem's famed Cotton Club nightspot of the '20s and '30s didn't quite come together as a cinematic whole, John Barry's efforts at supervising, scoring, and recreating the energetic jive and wail of the era very nearly carry the day. The opportunity was likely a dream come true for the former jazzman turned film scorer; his adaptations of standards by Ellington and Cab Calloway are reverent yet energetic, infused by original music that weaves it into an accessible and rewarding tapestry of time, place, and art. Great soundtrack.