Actor/writer Robert Shaw's powerhouse stage play The Man in the Glass Booth was transferred to the screen as part of the American Film Theatre series. Maximilian Schell plays Arthur Goldman, a Jewish businessmen living in Manhattan in 1965. A group of Israeli underground agents barge into Goldman's office and kidnap him. He is brought to Israel, placed in a bulletproof glass booth, and put on trial. His accusers charge that Goldman is not a Jew, but in fact a notorious Nazi war criminal, guilty of unspeakable crimes against humanity.
The project consists mostly of Tim Booth's vocals and lyrics washing over layers of Angelo Badalamenti keyboard and orchestra treatments, with trippy rhythms and some intriguing guest performances fleshing out the structure. Fans of the first Suede album will be pleased to hear prodigal guitarist Bernard Butler serving as supple ligaments for five tracks, especially taut on the assertive "Heart" and relatively cutting "Butterfly's Dream" (James producer Brian Eno and Badalamenti on background vocals). There's nothing overly challenging here, in fact, some of it is annoyingly lightweight, but Booth and the Bad Angel makes for an overall pleasant confectionary of influences, moody pop, and melodic, cocooning atmosphere.
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