MILES DAVIS QUINTET The Complete Blackhawk Sessions (Incredible 2003 US audiophile SIX LP limited edition boxed set, remastered & pressed on high quality 180gm virgin vinyl for the ultimate audio experience & featuring the classic sessionsrecorded live at the Blackhawk, San Francisco on April 21 & 22, 1961. The set is complete with an individually numbered 20-page illustrated booklet & housed in a superior textured picture box.
Mit ihrem neuen Album liefert Ina Müller den Beweis, dass das Leben ab 45 zwar garantiert nicht faltenfrei, aber dafür gelassen, radikal, prall und glücklich sein kann. Dafür sammelte sie die besten Hamburger Musiker und Kreativen um sich und produzierte 13 Songs, die aus dem Vollen schöpfen. Das Ergebnis ist ganz und gar Ina, nur eben besser denn je.
This 60th Anniversary 60-CD Deluxe Edition celebrates RCA Victor's signing of Elvis Presley-The King of rock 'n' roll. Features all of the albums Elvis recorded and RCA released in his lifetime: studio, soundtrack, and live. It also includes compilations released that featured unreleased songs or songs new to the LP format.
A welcome return to the ECM catalog for three of the most striking of the early recordings which Jan Garbarek made for the label in the 1970s. In different but related ways Sart (1971), Witchi-Tai-To (1973) and Dansere (1975) brought freshly intelligent and invigorating perspective to bear on questions of dynamics, group sound, interaction and swing, the relation of improvisation and abstraction to the roots of jazz, and the relevance of archetypal yet freshly inflected folk forms to contemporary music. Two ensembles are heard here – Garbarek/Stenson/Rypdal/Andersen/Christensen on the exploratory Sart, and the spirited Jan Garbarek-Bobo Stenson Quartet, one of the most exciting groups of the era.
This 52-disc (no, that is not a typo) comp, ABC of the Blues: The Ultimate Collection from the Delta to the Big Cities, may just indeed live up to its name. There are 98 artists represented , performing 1,040 tracks. The music begins at the beginning (though the set is not sequenced chronologically) with Charlie Patton, Son House, and Robert Johnson, and moves all the way through the vintage Chicago years of Muddy Waters and Howlin' Wolf, with stops along the way in Texas, Louisiana, Florida, Georgia, Mississippi, Tennessee, New York, and all points in between. Certainly, some of these artists are considered more rhythm & blues than purely blues artists: the inclusion of music by Johnny Otis, Wynonie Harris, Bo Diddley, and others makes that clear…
Since 1991, a complete edition of all recordings in which Karlheinz Stockhausen has personally participated is being released on compact discs. Each CD in this series is identified by Stockhausen's signature followed by an encircled number. The numbers indicate the general historical order of the works. Stockhausen realised the electronic music and participated in these recordings as conductor, performer, sound projectionist, and musical director. He personally mixed down the recordings, mastered them for CDs, wrote the texts and drew the covers.
Hopkins' earliest recordings in a nice package, booklet with biography, discography, and many detailed informations - plus great sound quality. This is where it all began for the Houston troubadour: 43 solo sides, as evocative and stark as any he ever did, from 1946-1948. The first 13 sides find the guitarist in tandem with pianist Wilson "Thunder" Smith (who handles the vocals on a few tracks), but after that, old Lightnin' Hopkins went the solo route. "Katie May," "Short Haired Woman," "Abilene," "Shotgun" – all these and more rate with his seminal performances.
Jazz in Paris: Swing 48 collects some of Django Reinhardt's best electric guitar performances from the late '40s, including "Pêche à la Mouche," "Minor Blues," "Night and Day," and "Swing 48." These lively numbers are balanced with quieter but no less inventive tracks such as "For Sentimental Reasons" and "I'm Confessin' (That I Love You)." Two takes on "Blues for Barclay" round out this compact collection, which may not be as thorough an exploration of this part of Reinhardt's career as Peche à la Mouche, but still offers a taste of his electric, bop-influenced years.
Drummer Bill Bruford made a name for himself in the '70s as a rock & roller of a progressive bent. In the '80s he formed the rather extraordinary jazz/fusion band that became Earthworks – Bruford, saxophonist Iain Ballamy, keyboard and brass virtuoso Django Bates, and bassist Mick Hutton. This was their first album; an interesting one it was, though a later, live recording of the band presented some of the same material in a more highly developed state, rendering this original somewhat irrelevant.