This 60th Anniversary 60-CD Deluxe Edition celebrates RCA Victor's signing of Elvis Presley-The King of rock 'n' roll. Features all of the albums Elvis recorded and RCA released in his lifetime: studio, soundtrack, and live. It also includes compilations released that featured unreleased songs or songs new to the LP format.
A welcome return to the ECM catalog for three of the most striking of the early recordings which Jan Garbarek made for the label in the 1970s. In different but related ways Sart (1971), Witchi-Tai-To (1973) and Dansere (1975) brought freshly intelligent and invigorating perspective to bear on questions of dynamics, group sound, interaction and swing, the relation of improvisation and abstraction to the roots of jazz, and the relevance of archetypal yet freshly inflected folk forms to contemporary music. Two ensembles are heard here – Garbarek/Stenson/Rypdal/Andersen/Christensen on the exploratory Sart, and the spirited Jan Garbarek-Bobo Stenson Quartet, one of the most exciting groups of the era.
This 52-disc (no, that is not a typo) comp, ABC of the Blues: The Ultimate Collection from the Delta to the Big Cities, may just indeed live up to its name. There are 98 artists represented , performing 1,040 tracks. The music begins at the beginning (though the set is not sequenced chronologically) with Charlie Patton, Son House, and Robert Johnson, and moves all the way through the vintage Chicago years of Muddy Waters and Howlin' Wolf, with stops along the way in Texas, Louisiana, Florida, Georgia, Mississippi, Tennessee, New York, and all points in between. Certainly, some of these artists are considered more rhythm & blues than purely blues artists: the inclusion of music by Johnny Otis, Wynonie Harris, Bo Diddley, and others makes that clear…
Drummer Bill Bruford made a name for himself in the '70s as a rock & roller of a progressive bent. In the '80s he formed the rather extraordinary jazz/fusion band that became Earthworks – Bruford, saxophonist Iain Ballamy, keyboard and brass virtuoso Django Bates, and bassist Mick Hutton. This was their first album; an interesting one it was, though a later, live recording of the band presented some of the same material in a more highly developed state, rendering this original somewhat irrelevant.
Hopkins' earliest recordings in a nice package, booklet with biography, discography, and many detailed informations - plus great sound quality. This is where it all began for the Houston troubadour: 43 solo sides, as evocative and stark as any he ever did, from 1946-1948. The first 13 sides find the guitarist in tandem with pianist Wilson "Thunder" Smith (who handles the vocals on a few tracks), but after that, old Lightnin' Hopkins went the solo route. "Katie May," "Short Haired Woman," "Abilene," "Shotgun" – all these and more rate with his seminal performances.
Shomyo, a liturgical Buddhist chant, was introduced from China to Japan in 736 AD. It was influential in the development of Japanese music styles. Shomyo became popular in those days due to the fact that Buddhism, chanting and music worked well together in temples. Shomyo was used in Buddhist ceremonies and services, as a ritual of comfort for the souls of the deceased and as a way to create an atmosphere of reference and mystery. It was also performed in praise of Amida Buddha…
Since 1991, a complete edition of all recordings in which Karlheinz Stockhausen has personally participated is being released on compact discs. Each CD in this series is identified by Stockhausen's signature followed by an encircled number. The numbers indicate the general historical order of the works. Stockhausen realised the electronic music and participated in these recordings as conductor, performer, sound projectionist, and musical director. He personally mixed down the recordings, mastered them for CDs, wrote the texts and drew the covers.
Minoru Muraoka (Japanese: 村岡福夫, born Muraoka Fukuo; 1924 in Miyakonojo – January 2, 2014) was a popular Japanese shakuhachi player. Playing in a jazz fusion style, Muraoka released many albums, both as a solo artist and with several groups, including Zen, the New Dimension Group and the Minoru Muraoka Orchestra…
James Thomas Ramey, better known by his stage name Baby Huey (taken from the Paramount Pictures animated giant cartoon duckling) was born in Richmond, Indiana and moved to Chicago in the early '60s to front his band The Babysitters with co-founders Melvin Deacon Jones on trumpet and Johnny Ross on guitar. By the time they recorded The Living Legend, only Huey and Jones remained (Deacon Jones would go on to play with Freddie King and John Lee Hooker). Because of a glandular disorder, Huey weighed close to 400 pounds at times, contributing to his "larger than life" stage presence, but also to a host of health issues.
Record Store Day 2017 release. Limited to 4,000 copies. Remastered Live Recordings From The Legendary Jones Beach Concert. Three live tracks by Jimmy Page and The Black Crowes performing at Jones Beach on July 10, 2000 will be released on vinyl for Record Store Day on April 22. Record Store Day officially confirmed that one of the vinyl releases is a three-track 10″ EP on 150 gram marbled black and white vinyl.